Designing the Scarpa’s collection. A journey into the traditional medicines of the people of the world
Keywords:
ethnomedicine, exhibition, museography, design, anthropologyAbstract
The University of Genoa Museum of Ethnomedicine “A. Scarpa” is a unique collection in the world museums panorama. It contains objects of great cultural value and was created with the intention of communicating the vast knowledge in the field of medicine, carried out by the populations of the planet.
In need of a new location, it has been the subject of a new set-up, effectively performed by a multidisciplinary team. The intent of this paper is to provide a specific look at the compositional and set-up aspects of the A. Scarpa Ethnomedicine Museum, and how this exhibition choice follows the evolution of the conception of the contemporary university museum. The new museum set-up was developed aiming to synthesize the entire cognitive path of ethnomedicine and the experience of A. Scarpa, keeping the complete collection separate, as it had already been designed in the previous configuration, so that it could be experienced by different users. The collection, previously housed in an unsuitable location, has been reorganized in a historic building located in a strategic area in the heart of the ancient city of Genoa.
References
Tomassetti G. Origine ed evoluzione delle strutture museali. L'architettura del museo a Roma. Sapienza Univerity, Doctoral thesis. Web.
Huerta L., Cohen-Pantoja G. A cognitive approach to the museography of an interactive science museum: a worked example. IOP Conf. Series: Journal of Physics 2018; pp.1-15. Web.
Benedetti B. Il concetto e l’evoluzione del museo come premessa metodologica alla progettazione di modelli 3d. SCIentific RESearch and Information Technology, Ricerca Scientifica e Tecnologie dell'Informazione, Vol 3, Issue 1. 2013; pp. 87-14. Web.
Tucci P. L'evoluzione storica del museo scientifico, dalle gallerie alla rete. Bollettino Del Cilea N. 102 Giugno 2006; pp. 7-10. Web.
Museum definition from International Council of Museum, [https://icom.museum/en/resources/standards-guidelines/museum-definition/]. Web.
Piccardo C. Sostenibilità degli edifici in legno: indirizzi per la progettazione, valutazione ambientale, sistemi costruttivi, processi di filiera, normativa e casi di studio. Milano, Angeli, 2015. Print.
De L’Estoile B. Musei post-etnografici. Le trasformazioni dei rapporti tra antropologia e museo in Francia. Anuac. Vol.4 2015; pp. 78-105. Web.
Carci G., Caforio A., Gamper C.Digital technologies and museums: augmented reality, learning and audience development.Form@re 19.1 2019. 274.Web.
Downloads
Published
Issue
Section
License
This is an Open Access article distributed under the terms of the Creative Commons Attribution License (https://creativecommons.org/licenses/by-nc/4.0) which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Transfer of Copyright and Permission to Reproduce Parts of Published Papers.
Authors retain the copyright for their published work. No formal permission will be required to reproduce parts (tables or illustrations) of published papers, provided the source is quoted appropriately and reproduction has no commercial intent. Reproductions with commercial intent will require written permission and payment of royalties.
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.